espaço experimental. campo de provas. textos sobre arte contemporânea e reflexões sobre a cultura carioca. imagens e anotações do ateliê. rabiscos da vida ordinária, pensamentos soltos e outras bobagens.
http://www.raulmourao.blogspot.com/
Author: artesquema
CONVOCATORIA “INTERVENCIONES TV.10″ 2009
El proyecto “Intervenciones TV” propone el medio televisivo y la televisión en internet como soporte para propuestas de creación audiovisual. Reflexión sobre el lenguaje televisivo, pÃldoras de carácter publicitario o experimental, cuestionamiento del medio y de su mensaje, insertos por sorpresa en la programación, en la red, en la pantalla.
El tema general de la convocatoria de “Intervenciones TV†es: “Televisión: espacio público y privadoâ€.
Las piezas. Se podrán presentar una o varias piezas siempre que la duración total de los videos enviados no exceda de tres minutos. Las piezas serán accesibles a través de la web  www.intervenciones.tv
Un proyecto de Fundación RodrÃguez producido por Montehermoso
The Non-Age
The Non-Age at Kunsthalle Winterthur
Kunsthalle Winterthur
The Non-Age
“In the future the idea of youth won”t make sense
anymore as everyone will try to dress, think and act
as an eternal young (wo)man.”
Michel Maffesoli
If Marc Augé coined successfully the concept “non-places” in the 90s, we could rely on this idea as a starting point and launch the concept “non-age” as a term that in a challenging manner reflects the complexity of ageing in our hyper-consumer society.
As such, “The Non-Age” too questions relational, historical or sociological ideas and preconceptions concerned with ageing and old age, and especially the relationship that individuals have with this “new adulthood” in terms of income, health, social relationships, aesthetic image, and leisure.
Why the “non-age”? “Because we are experiencing –explains Paco Barragán, co-curator- progressively a canon of age in which youth, maturity, and adulthood become, both mentally and physically, one sole category within which the problems of youth become a concept that refers to the problems of any one of us in general, independent of his or her age. These “new adults” pursue goals by means of attitudes and strategies that, according to our puritan society, do not coincide with those commonly associated to or concerned with their age.”
9° Bienal de Video y Artes Mediales Chile 09
Mande seu video!
RESISTENCIA CRITICA
9ª BIENAL DE VIDEO Y ARTES MEDIALES_2009
CONVOCATORIA 9º CONCURSO LATINOAMERICANO A LA CREACIÓN Y AUTORÃA, EN VIDEO Y ARTES DIGITALES “JUAN DOWNEYâ€
NUEVO PLAZO DE ENTREGA DE OBRAS: LUNES 15 DE JUNIO
ENTREGA DE MATERIAL: Museo de Arte Contemporáneo, sede Quinta Normal, Av. Matucana 464, Quinta Normal, Santiago, Chile.
CONTACTO: info@bienaldevideo.cl
FONO: 56-02-9771753
Se invita a todos los artistas latinoamericanos a participar en la 9ª version del Concurso Juan Downey. Se realizara en el contexto de la Bienal de Video y Artes Mediales / 20 de agosto al 13 de Septiembre de 2009 / Museo de Arte Contemporáneo_Quinta Normal.
Esta 9ª versión pone como urgencia la preocupación sobre la situación actual de la indistinción que se hace en el campo de los medios digitales convencionales con respecto a la sociedad de consumo y su tendencia tecnócrata, el uso irresponsable de los medios de comunicación y su efecto en la sociedad del conocimiento, y la debilidad relacional y estética del paradigma actual en el arte digital.
Es por eso que el eje fundamental de la siguiente bienal es la “RESISTENCIAâ€, y más especÃficamente la “RESISTENCIA CRITICAâ€, la cual funciona como un filtro y amplificador de reflexiones y obras que ponen en evidencia esta condición, y a través de sus contenidos, contribuyen al proceso formador y reflexivo del espectador.
Se adjunta la convocatoria y la ficha de inscripción. Si tiene problemas en la descarga, visite http://www.bvam.cl/?p=21
BVAM es una iniciativa organizada por la Corporacion Chilena del Video y financiada por el Consejo del Arte y la Industria Audiovisual del Consejo Nacional de la Cultura y de las Artes de Chile.
Saludos y se ruega difundir,
Equipo 9° Bienal de Video y Artes Mediales Chile 09
BVAM_09
www.bvam.cl <http://www.bvam.cl>
info (a) bvam.cl
Museo de Arte Contemporáneo
Parque Forestal s/n, Santiago Centro
Santiago de Chile
56 977 17 53
CARNE
Este é o segundo e último fim de semana para assistir ao espetáculo CARNE, de Micheline Torres, no SESC Copacabana. Após o espetáculo haverá os comentários de Ricardo Basbaum (6a) e Charles feitosa (sáb). Às 20h (sex e sáb); 19h (dom).
CARNE
Criação e direção Micheline Torres
29/maio a 7/junho
Sala Multiuso – Sesc Copacabana
Sextas e sábados, às 20h e domingos, às 19h.
Ingressos a R$ 10 (inteira), R$ 5 (estudantes, idosos, classe artÃstica) e R$ 2,50 (comerciários)
Duração 50 min
Classificação etaria 18 anos
*
Viradão Carioca
Já chega tarde o evento Viradão Cultural no Rio de Janeiro, que é de extrema importância para ressucitar circuitos culturais da cidade. Ainda que possamos nos incomodar com eventuais manobras polÃticas, e o uso indevido do nome do Viradão por casas que querem apenas promover seus eventos regulares, não se pode rejeitar este acontecimento.
Segue aà o link com a programação do final de semana:
Symposium for ART AND RENEWABLE TECHNOLOGIES
CALL for proposals:
Symposium for ART AND RENEWABLE TECHNOLOGIES
August 13-16 in Aizpute (Latvia)
!!!!!!! Deadline: June 8, 2009
The 4-day symposium gathering together artists, activists,
technologists, scientists and researchers, to share their ideas and
explorations which deal with renewable energy resources, alternative
ecological use of technologies, and other sustainability related
issues.
– – – –
Themes:
[bio]
Environmental science and ecology – Ecosystem research –
Permaculture and biosystem design – Biomass as renewable energy
resource – Critical and alternative approaches to biotechnology
[solar]
Sunlight as constant energy resource – Process of photosynthesis –
Solar energy technologies
[open source]
Sustainability using open source/information approaches: in art and
grassroots culture, ecology, architecture and environmental design
[myths & legends]
Historical traditions and modern alternative solutions –
Speculations – Critical, utopian or scientific visions of future
terrestrial energy
– – – –
Location:
The symposium will take place in artists residency center SERDE in
Aizpute, a small town in Kurzeme region of Latvia. SERDE is located
in old wooden historical building (that also will be used as a
specific case for which alternative and ecological approach in
developing sustainable systems and renewable energy technologies can
be explored and applied).
– – – –
Call:
For this symposium, we invite those interested to send their
proposals in relation to above mentioned themes,
to the following email address: <2009 AT rixc.lv> (and/or
!!!!!!! Deadline: June 8, 2009
– – – –
Participation:
Travel and accommodation/subsistence will be covered for 10
participants from Baltic and Nordic countries, and for 2
participants from EU countries.
For others, participation costs include:
1) admission – free
2) travel (to Riga) – has to be covered by participants (local
transportation from Riga to Aizpute will be provided by organisers)
3) accommodation – 10-25 eur per night
– – – –
The outcomes of the symposium – new projects, artworks, co-
productions – will be presented during the international art and
science conference ENERGY that will take place in the framework of
Art+Communication festival in Riga, October 15-17, 2009.
Symposium is organised by RIXC, the center for new media culture
with the support of Nordic Culture Fund.
______________________________________________
SPECTRE list for media culture in Deep Europe
Info, archive and help:
http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre
Cinema experimental+Música ao vivo
Cinema experimental+Música ao vivo no Plano B
com Michelle Agnes e Cristiano Rosa
Data: 06 de junho de 2009 – 20 horas
Regen (Holanda, 1929)
Direção: Joris Ivens
Duração: 14 Min.
Ãœberfall (Alemanha,1928)
Direção: Ernö Metzner
Duração: 22 minutos
Vormittagsspuk (Alemanha, 1928)
Direção: Hans Richter
Duração: 9 Min.
Plano B – Rua Francisco Muratori 2a – Lapa – Rio de Janeiro
Michelle Agnes
Compositora e pianista, doutoranda pela USP. Desenvolveu pesquisa de mestrado na Unicamp sobre o som no primeiro filme sonoro de Dziga Vertov. Em 2003 foi premiada com uma bolsa da Unesco para residência no estúdio do IMEB (Instituto Internacional de Música Eletroacústica de Bourges – França). Sua produção artÃstica além de peças instrumentais e eletroacústicas inclui também música para cinema, dança, teatro e instalação.
www.myspace.com/michelleagnes
Cristiano Rosa (pan&tone)
Trabalha com instrumentos eletrônicos vivos em seu projeto pan&tone, através de brinquedos antigos modificados pela técnica de Circuit Bending e aparelhos eletrônicos construÃdos. Produtor de música experimental desde 1989, quando fazia colagens com fita cassete amassadas, microfonias e percussão em sucata. 1990 até 1999 colaborou com outros artistas experimentais em exposições, instalações e performances. 2005 iniciou sua pesquisa em Circuit Bending, Hardware Hacking e novas formas de produzir áudio e vÃdeo através de mecanismos construÃdos à mão. A partir de 2006, começou a fazer shows utilizando como base circuit bending, samplers e alguns sintetizadores.
panetone.net
CuratorLab – International Curatorial Program
Konstfack University College of Arts, Crafts and Design
Call for Applications CuratorLab – International Curatorial Program
Call for Applications 2009/2010
Application Deadline June 30, 2009
http://www.konstfack.se/curatorlab
CuratorLab is an international self-directed curatorial course dedicated to the advancement of curatorial practices based on research in the arts, crafts and design. It is designed to offer time to conduct research and to explore new directions and ideas in order to develop artistic or theoretical work while linking academic study to cultural projects.
The program offers the participants the possibility to develop and realize one individual or collaborative project in the form of a public presentation, i.e. exhibition, lecture series, publication, screenings, seminar, for which CuratorLab provides professional feedback and practical support as well as a moderate research/production budget.
The final form, and where it will be presented, is decided by each participant in dialogue with his or her personal advisor.
CuratorLab will arrange guest lectures by professionals, and provides each participant access to the faculties across Konstfack’s nine departments, visiting curators, critics and practitioners, and be welcomed into graduate seminars and classes.
Dependant on the individual aims and research topics of the participants the faculty will assist in contacting art institutions to arrange lectures, to set up meetings with professionals in the field, as well as schedule studio visits with artists and designers in the Nordic region.
Participants will be introduced to Konstfack’s Nordic and international network in arts, design and craft.
Applications are accepted once a year, to enter in September 2009. The program is flexible. It can be divided over different intervals over the academic year and it is not required to be based in Stockholm full time. The final schedule will be determined during the first meeting mid September in Stockholm.
Costs
Tuition at Konstfack is free of charge. The university college has no scholarships to offer students.
For more information on study in Sweden please visit http://www.studyinsweden.se and http://www.studyinsweden.se/Scholarships/SI-scholarships/
Requirement for Application
MA degree in fine art, art history, critical studies, architecture, crafts and design and / or equivalent working experience in independent curatorial practices or within institutions.
Application Deadline 
Applications must be received by June 30, 2009
Application Form
For further information and application form please visit our website: http://www.konstfack.se/curatorlab
For more information please contact:
Renée Padt
Programme Director CuratorLab
renee.padt@konstfack.se
Konstfack
University College of Arts, Crafts and Design
Stockholm, Sweden.